Brice Bardot started dancing at the age of 9 in New Caledonia. He continued his training at the National Conservatory of Music and Dance in Paris, then joined the Junior Ballet of the CNSMDP.

  He is then engaged in several companies around the world such as:

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• Peter Van Dyck's Werther Ensemble Ballet,

• the Bordeaux Opera Ballet,

• the Victore Ullate Company in Madrid,

• the Labkine Company in Paris,

• the Scottish Ballet in Scotland,

• the Limoges Opera Ballet,

• the Alberta Ballet in Canada,

• the Belgrade Opera Ballet in Serbia

• and the L. Fuchs company.

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He interprets, as a soloist, a wide and varied repertoire  whose :

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• Tam Tam and Percussion by Felix Blaska  ;

• Before Night Fall by Nils Christie  ;

• The Sorrows of Young Werther by Peter Van Dyck  ;

• The Ill-Kept Girl by Joseph Lazzini  ;

• The Four Seasons by Paolo Bortoluzzi  ;

• Concert Dances by Ted Brandsen  ;

• Petrouchka and Les Sylpides by Michel Fokine  ;

• Who Cares, The Four Temperaments,  Apollo by George Balanchine  ;

• the Corsair, Raymonda (3rd act),

• paquita  by Marius Petipa  ;

• Icarus, Suite in White and The Prodigal Son by Serge Lifar  ;

• Halo by Paul Taylor  ;

• Continuo and Lilac Garden by Anthony Tudor  ;

• Nutcracker,  Gisel,  Coppelia,  The Sleeping Beauty,  Charles Jude's Swan Lake  ;

• Romeo and Juliet by Tit Harm  ;

• Aunis by Jacques Garnier  ;

• Robert North's Troy Game  ;

• Caroline Carlson's Hydrogen Jukebox  ;

• Marco Polo by Luciano Cannito  ;

• Electra by Jean Charles Gil;

• Donquixote by Éric Vu-An;

• Coppelia by Emile Polyakov;

• Tango Language by Eric Frédéric;

• Webern Opus 5, Les Danses Grecques, The Firebird by Maurice Béjart;

• The Vertiginous Thrill of Accuracy by William Forsythe;

• Solo and Concert Dance by Hans Van Manen;

• Sleeping Beauty and Esmeralda by Aron Watkin;

• Walking in the Heat and Cinderella by Ashley Page;

• Sleeping Beauty by Konstantin Kostjukov ...

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He also participates in numerous international tours and Galas where he is invited to dance the leading roles of the classical, neo-classical and contemporary repertoire.

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For 9 years, he has been teaching classical and contemporary dance in conservatories, dance centers and schools, courses and workshops, in Île de France and abroad.